The Emotional Regulation section tried to do what most cultural conversations about emotion fail to do: engage with emotion empirically, honestly, and without picking tribal sides on the contested questions. The dominant cultural framings have all failed in particular ways. The wellness industry treats emotion as something to fix through positivity. The therapy industry pathologises ordinary distress while genuinely helping with serious conditions. The masculine culture treats emotional expression as weakness. The therapeutic culture sometimes treats emotional expression as inherent virtue. The neuroscience reductionists treat emotion as nothing but brain activity. The phenomenologists treat emotion as something the neuroscience cannot touch. The basic emotions theorists insist on universal categories. The constructed emotion theorists deny any biological universals.
Listed alphabetically with their contributions.
Lisa Feldman Barrett:
Antonio Damasio:
Paul Ekman:
Karl Friston:
William James (1842-1910):
Joseph LeDoux:
Jaak Panksepp (1943-2017):
Anil Seth:
Bruce McEwen (1938-2020):
Robert Sapolsky:
Andrew Huberman:
Stephen Porges:
Paul Grossman:
Hans Selye (1907-1982):
Albert Bandura (1925-2021):
Aaron Beck (1921-2021):
Tara Brach:
Jack Brehm (1928-2009):
David Burns:
James Coan:
Edna Foa:
Christopher Germer:
John Gottman:
James Gross:
Steven Hayes:
Judith Herman:
Sue Johnson (1947-2024):
Ethan Kross:
Peter Levine:
Marsha Linehan:
Donald Meichenbaum:
Mario Mikulincer and Phillip Shaver:
Kristin Neff:
Pat Ogden:
Patricia Resick:
Carl Rogers (1902-1987):
David Rock:
Richard Schwartz:
Zindel Segal, Mark Williams, and John Teasdale:
Francine Shapiro (1948-2019):
Daniel Siegel:
Tania Singer:
David Treleaven:
Bessel van der Kolk:
Bruce Wampold and Zac Imel:
Rachel Yehuda:
Vincent Felitti and Robert Anda:
Elisabeth Binder:
Jennifer Mitchell and the MAPS Phase 3 Team:
Robert Whitaker:
Joanna Moncrieff:
Allen Frances:
Andrew Cipriani:
James Davies and John Read:
The section draws on researchers whose primary work is anchored in other sections of the manual but whose contributions inform the emotion material.
These works contain mixtures of content and overstated specific claims. Reading requires distinguishing the categories.
These vary in quality. The general framing: convenient access at lower cost than traditional therapy, with variable therapist quality and limited capacity for severe conditions.